关于中秋的一副商插，要求元素： 嫦娥  仙鹤  月亮 突破以往对嫦娥的塑造，采用黑色的服饰，清雅的面部。背景是黄昏接近晚霞的色调，映照在青色的群山中，天地之间穿插着晚间的彩云，与深色的服饰融为一体，更强调嫦娥 『神祗』 寄生于天地。托起月亮，则暗示了她的身份。关于鹤，一直在纠结：嫦娥不是和兔子有关么？为什么要画鹤？怎么才能把鹤很好的融入画面。于是将鹤作为服饰装饰，让它们存在在嫦娥的衣物上，从服饰装饰这种平面的维度（2维）向广阔天地的维度（3维）进行转变。  这幅画还有很多不够细致的地方，五官的刻画，山川的描写，服饰的深入，都缺少细节，还需要细细打磨。

On the Mid-Autumn Festival, a pair of commercial illustration, elements: Chang'e、Crane  and Moon.

I broke through the previous character of Chang'e, select deep clothing, clean and elegant face. The background is the tone of sunset, which is shining on the green mountains. The sky and ground are interspersed with night clouds, which are integrated with the dark clothes. More emphasis is laid on the living space of Chang'e who as "goddess" in the sky and the earth. Picking up the moon implies her identity. About the crane,  I have always had a  question: why not rabbits? Why cranes? How can I express the crane to make it be well integrated into the picture? Cranes are used as costume vignette, so that they exist in Chang'e's clothing, from the plane dimension of costume decoration (2-D) to the dimension of the vast world (3-D). 

There are still many inadequate details in this painting, such as the depiction of five senses, the description of mountains and rivers, and the depth of costumes, all of which lack details and need to be polished carefully.

中秋月饼礼盒产品展示

   

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