The study of specific shapes that were used create the composition and the techniques of mark making used to create an impressionist style.
Exploration of quantities of colors, leading into a study of the major axial and curvilinear structure to abstract the work of art using acrylic paint and collage.
Abstracting the master painting into a geometric grid format, while maintaining the light and space of original work
Final two studies translate the 2-dimensional color relationships from the master painting into 3-dimensional color relationships in order to achieve the illusion of illumination.
