"Esperimenti dei materiali" plexilass, photo and acrilyc colours, 65 cm x 130 cm, 2013.
"The search on the plastic material of discard is faced in different way by the artist Mattia Trevisan, that creates some sculptures of void inside plates of very thick plexiglass. The photo withdraws the moment of the composition of the misprints from him worked."
"The tattoo artist" plexiglass, photo and acrlilyc, 150 cm x 225 cm, 2014.
"while the tattoo artist works on the arm, the client distracts him talking to a girl..."
This scene appears as a situation of home intimacy, while in reality it deals with a session from the tattoo artist.
the distraction is the true subject as element that estranges the characters from their context.
"Carving of the horn" plexiglass and photo, 150 cm x 75 cm, 2013.
"A manufacturer of musical tools in the creation of a bow in bone..."
This work recalls to the ancient need of the expression. Thanks to the material used by the artisan we can compare us with our more prehistoric needs.
"Sepulchral of the chalk ox" plexiglass, photo and acrilyc, 100 cm x 90 cm, 2014.
"Out of the little church of S.Matteo in the Imperia's hinterland , has found this chalk face, previously part of the decoration of the chapel. The job performed on the subject doesn't want only to show the breakup of the manufactured article but also the condition of the works in way of extinction."
"Welding of the ends" plexiglass and photo, 75 cm x 150 cm, 2013
"A builder of audio fittings completes the weldings the night before the departure for a festival. The delicacy of the job meets him with the exhaustion after nonstop days of job."
"Glimpse to the red" plexiglass, photo and acrilyc colours   198 cm x 200 cm. 2014 
"impression of a ferrous rock along the ancient Roman road" 
This work wants to exalt the effect of the glimpse of the rock while I was being in movement. the colors of the abstract part want to mark the colors in the photos.
"Fragments"
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"Fragments"

Eliminating the superfluous parts from a subject or from a scene, we find us to only interpret it through the cardinal points of reading remained Read More

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Creative Fields