This is the material that I prepared for the Pitch of the Sizzle-Reel
One very busy/exciting week of my life.
I was the only Concept Artist involved in the pitch, so I had full artistic freedom on how to stage the story-beats requested from Marvel.
I was really happy to see how much in the end the final clip remained close to the original storyboard panels I made for this pitch.
Concept Art for the covert assassination of the diplomatic target on the bridge.
The storyboard panels, edited together in a 2D animatic.
The full sequence storyboard, as it was pitched to Marvel (cutted and timed into a 2D animatic) and three very intense days of work.
