Towards the end of 2014, I was asked to create two fully-rendered storyboards. I came up with some traditionally inked, digitally colored pieces based on every day moments of silence that relate a character to their environment. The goal was to use similar mediums and techniques to create two very different, quickly communicated emotions.
4:16 AM, Fall 2014 (inks)
2:32 PM, Fall 2014 (inks)
4:16 AM, Fall 2014
I used a primary color scheme and loose coloring style for 4:16 AM in order to simulate an old-fashioned screen-printed look. The pastels were important in keeping the cluttered counter and cracked drywall soft and familiar, rather than straying into something dirty and uncomfortable.
2:32 PM, Fall 2014
Because the first piece of the series was solitary and peaceful, I wanted duality and a sense of conflict in it's counterpart. 2:32 PM was particularly fun to work on because car interiors are a strange favorite of mine.
