Utilizing the reduced gravitational forces, the plan takes on a fluidity that extends beyond the project's floor, facilitating new possibilities for its interaction with the lunar terrain. While the plan consistently defines the project's floor, the moon's low gravity enables the plan to transcend all spatial boundaries, transforming it from a static configuration to a dynamic one. In other words, the plan, elevation, and section of the project deviate from their fixed, predetermined definitions. As the spheres rotate, the previously defined floor becomes an elevation and descends once again to form the new floor.
If Koolhaas in the “Prada Transformer” uses several cranes to rotate the architectural volume, causing changes in the plan, facade, and section within the project, "Non-Directional City" aims to emulate this phenomenon by rotating the spheres around various axes using mechanical arms, reproducing this state both internally and externally. Such rotational movements are visible in the project diagrams. The outer layers of the spheres themselves play a significant role in generating different programs during rotation, creating an intermediate space between the primary skin and the spheres.
The pervasive nature of the plan across all major surfaces of the project, along with the variable nature of the plans, incites a novel behavior among astronauts, urging them to move beyond conventional navigation on flat surfaces and encouraging them to inhabit unconventional orientations relative to architectural norms.