The concept & Idea
Mythological Hero’s journey from dream commonness through the darkness of despair to the light and rebirth through the help of external allies. Show the human connectedness and support of the external forces in the eternal fights between light and shadow. Trivial reality lulls by predictability – sometimes hard and injuring reality hits through the sleep of welfare.
- With passage of time, we overfill negative emotions and pain. - In time, when darkness overwhelms us, we pray heaven for help and we’re hoping for salvation. - At the time when aid is nowhere to await, appears someone (mighty forces or people) that suddenly illuminate us, with giving some hope. - By dint of the help of these forces / people, we explode the darkness and fight for our inner light. - When we’re winning the darkness in the war for light, we can become a light or a saving power for others.
http://limeartgroup.com/portfolio/eurovision2014
Mythological Hero’s journey from dream commonness through the darkness of despair to the light and rebirth through the help of external allies. Show the human connectedness and support of the external forces in the eternal fights between light and shadow. Trivial reality lulls by predictability – sometimes hard and injuring reality hits through the sleep of welfare.
- With passage of time, we overfill negative emotions and pain. - In time, when darkness overwhelms us, we pray heaven for help and we’re hoping for salvation. - At the time when aid is nowhere to await, appears someone (mighty forces or people) that suddenly illuminate us, with giving some hope. - By dint of the help of these forces / people, we explode the darkness and fight for our inner light. - When we’re winning the darkness in the war for light, we can become a light or a saving power for others.
http://limeartgroup.com/portfolio/eurovision2014
Video
The stylistic of the video is nebulous constellations and separate stars, as a sign of union, multiplying of opposing forces and the ambiguity of reality. Liquid, pulsating black holes / spots, which are absorbing the energy, and which are increasing and become larger through animation of formless particles, and are transforming into the dense dark matter, which covers Aram.
Before the beginning of the big explosion, screens act as decor of our world, which show the transformation of detached and cold energy of routine and disunity in the darkness of seething hopelessness and frustration. Particles and constellations are flying along the trajectory from sides to the center point, to Aram, and transforming into a tesseract, passing through the projection zone before the explosion.
Also, the light shall be placed gradiently. In a few seconds before the explosion in the hall and on the stage should reign the total darkness and hold on for approximately 2 seconds. After the explosion, the direction of animation and dynamic of the warm scattered light are changing in the opposite direction from the “inside out” from Aram to the hall.
Before the beginning of the big explosion, screens act as decor of our world, which show the transformation of detached and cold energy of routine and disunity in the darkness of seething hopelessness and frustration. Particles and constellations are flying along the trajectory from sides to the center point, to Aram, and transforming into a tesseract, passing through the projection zone before the explosion.
Also, the light shall be placed gradiently. In a few seconds before the explosion in the hall and on the stage should reign the total darkness and hold on for approximately 2 seconds. After the explosion, the direction of animation and dynamic of the warm scattered light are changing in the opposite direction from the “inside out” from Aram to the hall.
More information and credits here http://limeartgroup.com/portfolio/eurovision2014
