Feeling close to the mechanics of the bike and the the grandiosity of the half pipe. I decided to use swooshes to give it a slightly expressionistic aesthetic.

Of course, I wanted to make it feel like there was a biker on the BMX. I used the "Clothes & Props" and "Edward Ultimate" instruments for the foley performance.

Lots of urban sounds, but mostly it had to feel like we were under an overpass. The cars stampeding above our heads and the distinct reverberation needed to be on point.

To capture the movement, I put lots of emphasis on panning to put us right into in the rider's seat.